National Editor
National Editor Upgrade
Diploma of Editing (Publishing) 39237QLD
Writing, Editing & Publishing

The National Editor Course has been developed against the national curriculum from the Department of Education, Training and the Arts. On advice from the Accreditation Advisory Committee, the modules of competency in the Diploma of Editing(Publishing) 39237QLD have incorporated the Australian Standards for Editing Practice ratified by the Institute of Professional Editors (IPEd).

There are two pathways into this course:

Pathway 1: Direct entry into the National Editor Course

Pathway 2: Completion of the Professional Book Editing, Proofreading & Publishing Course then complete of the National Editor Upgrade Course

Both pathways cover the same subjects and materials, and both end in the same result. Pathway 1 is for those who are committed to the full program; Pathway 2 are for those who aren't certain if they want to go the entire distance.

Career opportunities include: Editor, Book Editor, Copy Editor, Proofreader, Publishing Assistant, Script Editor, Sub-Editor, Freelance Editor and Proofreader.

Industries include: book publishing, newspaper/magazine publishing, media, educational publishing, government publishing, printing, general business.

The beauty of an editing and proofreading career is that there are many opportunities to work from home as a freelancer. While many editors, are employed in-house there are also just as many who run their own editing and proofreading businesses from home. For this reason, it is an extremely flexible career choice offering a wide range of opportunities.

Many people ask: What is the difference between editors, book editors, copy editors and proofreaders? To help you to understand these areas better, so that you can make an informed decision about the educational pathway you are considering and because we like to provide as much advice and support for your career pathway as we can, we have briefly outlined these roles for you here.

Editor, Managing Editor, Book Editor, Commissioning Editor or Acquisitions Editor
In terms of responsibility these roles can mean the same thing, even though there will be variations from industry-to-industry and organisation-to-organisation. You might be called an Editor (many industries) or a Managing Editor (usually magazine publishing); a Commissioning Editor, Acquisitions Editor or Book Editor (book publishing), or even a Chief Editor (newspaper publishing). Your role may cover any of the following:

• Manage staff or oversee departments that have supervisors appointed to run the day-to-day tasks.
• Acquire new titles for the publishing house to sell. These can be educational titles, fiction or non-fition titles, children's books, magazines, newspapers, trade publications and so on. Many corporate organisations will also have an Editor that may be responsible for managing production of media publications, advertising materials, web content and so on. Editors can select titles/materials they think will promote/sell successfully and reject those they feel won't.
• Undertake substantive editing for manuscripts/documents being prepared for release (substantive editing involves making suggestions on how to improve the content). Depending on the industry, these can be book manuscripts; film, television or radio scripts; curriculum and course documents; newspapers, magazines or trade journals; speeches; promotional, advertising and marketing materials; business documents; legal or financial documents. It can also cover print-based materials or electronic materials (such as web content or multimedia content).

Copy Editor (Also Sub-editor, Script Editor in other industries)
'Copy' simply means text. This can be text in documents, publications, promotional materials and in web content. Copy editors will check for mistakes in text but not make suggestions as to how to improve the manuscript. They may also check consistency throughout the document, check for grammar problems, make sure page numbers are correct, check that facts are stated correctly, proof the table of contents, check the alignment of pictures and tables, and so on, depending on the requirements by the editor.

Copy editors who work for magazines or newspapers are called sub-editors; however, sub-editors will also need a foundation in either newspaper or magazine journalism.

Script editors work in the film, television, radio or general media industry editing scripts ('copy') for movies, shows, documentaries, speeches and so on. They need a good knowledge of dialogue script editing, which is different to copy editing or sub-editing.

Proofreader
Proofreaders read the text and pick up all types of errors. They do not offer editing, publishing, journalistic or scripting suggestions. They focus on typing mistakes, missing words, punctuation, capitalisation and so forth. A proofreader needs to have a good eye for detail and be patient and very careful as they read word-by-word and line-by-line.

A proofreader may end up proofreading a manuscript or document several times to pick up as many errors as possible. Often a manuscript or document will need to be proofread by a few different proofreaders in order to find all the errors. This can mean a book or publication can undergo as many as six proofreads before printing. Of course, this is not always financially practical (for the publisher or the author) and so books and publications will have early releases and pre-releases while errors are still being ironed out. This is much like the software industry where software programs are pre-released into the market (e.g. beta releases) and 'bug-fixer' versions (e.g. service packs and patches) are released after the programmers have had a chance to vet them in the marketplace. It is a more time practical, resource-effective and financially viable approach to publishing in any industry. So, a proofreader may also be appointed to proofread a reprinted manuscript of a book or publication that has already been released.